The Pot

We use grain-matched block construction exclusively as we feel it provides the most balanced tone. Each layer of the pot is “grain matched”, both vertically and horizontally. The mid section of the pot is always 2 rows of blocks in the same anatomical position as it was when the board left the tree. Our theory is that sound travels, in a significant part, through the grain of the wood. Matching wood grain and anatomical position helps increase resonance and improve tone. Additionally, it also creates beautiful joinery with an unmatched aesthetic.

Doc's Tudor Pot™ and Gothic Pot™
Tudor Pot™

Gothic Pot™

- The Integrated Wood Tone Ring keeps its full thickness all the way around the pot. This full thickness ring, then tapers down in thickness as it approaches the head above and as it approaches the thin zone below.
- The thin zone (what I call the “belly” of the pot) increases the air chamber significantly, dramatically adding both volume and low-end tone.
- The “skirt” on the bottom of the pot (on our most recent design) mixes the tones being generated inside the pot by sending some of it back toward the front of the instrument. Additionally, the thickness of the skirt helps strengthen the pot even further.
In Summary
Both of our trademark pot designs deliver dramatically improved tone. Many people are comment about the deeply resonant, well-balanced, full-bodied tone of our banjos. I primarily credit the combination of our pot design, wood selection, and matched grain joinery for the great tone of our banjos.Please explore our gallery and available banjos to see many examples of our beautiful pots.

Friends
One the most rewarding aspects of building custom instruments is interacting with the people who we build for. Many customers have become life-long friends.We look forward to getting to know you!
